Coraline has a brilliant idea: she’s going to write — The Hammock and the Hummingbirds, practical guide
Hummingbird, the icon of the practical guides of The Hammock and the Hummingbirds

How do I get started when I’m scared of getting it wrong?

Write the worst possible version

Really the worst. It’s an instruction, not a figure of speech.

The keyAs long as you’re aiming for the good text, you write no text at all. Aim for the bad one.

“You don’t start as an expert. You start curious.”

Not from a chapter — based on an interview with Jacob Collier, British musician and arranger.

When it happens to you

You’re in front of the page, the keyboard, the notebook. You know what you want to say, but nothing comes out — because whatever came out wouldn’t be good enough.

Why it isn’t writer’s block

It’s fear of the bad first mark. As long as the page has to be good, every sentence is a verdict, and nobody writes under a verdict. Besides, people who know exactly what they’re doing rarely do interesting work.

Rule

When the instruction is to fail, there’s nothing left to protect.

How to get going, in 4 steps

  1. Give yourself the opposite instruction: write the worst possible version. The flattest, the silliest, the most botched.
  2. Go for it, properly. Not a serious draft dressed up as a bad one — really bad, on purpose. If you catch yourself polishing a sentence, you’ve blown it.
  3. Reread. Every time, there are 3 lines that hold up, and they would never have come any other way.
  4. Keep the 3 lines, bin the rest without a second thought. They’re your real beginning.

⚠ It’s not a method for publishing fast

The worst version is still a practice scale: it’s for getting unstuck, not for showing. Don’t confuse “I dared to write” with “it’s ready”. The sorting comes afterwards, and it’s ruthless — that’s what makes the exercise safe.

What it changes for you

You stop waiting for the idea that would justify starting. You also get back the material your caution kept under lock and key: your unconscious ideas no longer have any reason to stay hidden, so out they come.

How to practise

Once a week, 10 minutes flat, the worst thing in the world. An advert, a poem, a scene. You show nobody and keep only what floats to the surface.

Remember

You don’t start as an expert. You start curious.

You may be wondering

I can’t write badly, it makes me uncomfortable.

That’s a good sign: it means the fear of judgement really is there, and it was waiting for you further up the page. Lay it on thick, exaggerate until it’s ridiculous.

And if nothing floats to the surface?

It happens one time in five. You’ve still won the session: you wrote, and the next page starts more easily.

Does it work for things other than writing?

Yes, for anything with a first mark: drawing, cooking, preparing a meeting, recording your voice.

Watch the hummingbirds

Watching the hummingbirds means changing your point of view.
Seeing things from every angle.
Accepting every part of ourselves. And of other people.
And laughing about it.

A hummingbird has every colour. So do we. Our shadows and our light.
You take one step to the side: green turns pink. Then gold.
Nothing has moved, except you.

What a practical guide is for

Trying out a tool.
Changing your point of view.
Laughing at something that weighed on you this morning.

What it isn’t

It isn’t therapy.
It isn’t a diagnosis.
It isn’t a courtroom: nobody’s looking for a culprit.
It isn’t a rulebook for good behaviour. You do what you like.

What it’s for

Accepting that we’re human. And fallible.
Our shadows. Our light.
Taking the drama out, to melt the resistance.
Not judging ourselves. Not judging others.
Laughing about it. It works better, and it’s more fun.

Nobody gets judged here. Least of all you.
We don’t know anything you don’t. We just wrote some tools.

Where these guides come from

Nobody made them up. They came out of a novel, chapter by chapter — in the order I learnt them. Not in logical order: in the order life threw them at me.

What you get, end to end:
Not getting stuck in the middle.
Not having to prove your worth.
Understanding the other person without carrying what’s theirs.
Spotting what keeps repeating.
Setting the limit, and holding it.
Naming the manoeuvre, which is enough to defuse it.
Getting out when the judges are also the accusers.
Listening to the body, which answers before we do.
Sorting out what we keep.
And finally: choosing where we’re heading.

I only saw the logic afterwards, reading it back. That’s why it holds: nobody drew it up in advance.

If something feels too big for you, see a professional. A guide is a tool, not a doctor.