The Viking soaks Coraline with a water pistol on the beach, and she laughs — The Hammock and the Hummingbirds, practical guide
Hummingbird, the icon of the practical guides of The Hammock and the Hummingbirds

How do I tell a truth that’s going to hurt?

You can say anything, just not gratuitously

Someone offended defends himself. Someone laughing takes a look at himself.

The keyYou can say anything, on two conditions: that it serves a purpose, and that it’s funny.

“But I can’t tell him that. It’d hurt his feelings, poor thing.”

Chapter 22 — Itsy-Bitsy the Maggot and the Teeny Button

When it happens to you

You’ve got the comeback. It’s perfect, it’s true, and it’s going to really hurt. So you keep it on the tip of your tongue, you smile politely, and you chew on it for 3 days.

Why your two usual ways out are bad

If you keep quiet, it sits in your stomach and comes back up three weeks later about something unrelated — and then you look like the mad one. If you fire it off with no humour, you score a point, you offend, and nothing changes: someone offended doesn’t look at himself, he defends himself.

Rule

A truth that serves no purpose doesn’t need saying. One that does can nearly always be said with a laugh.

How to sort it out before you speak, in 4 steps

  1. First question: does it change anything for me? Or do I just want to score a point?
  2. Second question: can I say it in a way we can both laugh about?
  3. Yes to both → say it. It’s the right moment and the right form. No to the first → it serves no purpose: it goes in the notebook, not in the conversation.
  4. Yes to the first, no to the second → it’s too serious to be funny. So say it short and simple, with no frills and no dig. Humour isn’t compulsory; being gratuitous is always to be avoided.

⚠ What isn’t humour

The dig dressed up as a joke. The “I was only joking” that follows a sentence that was no joke. The test is simple: can the other person laugh with you? If the laugh only works against him, it isn’t humour, it’s a rock with a bow on it.

What it changes for you

You no longer have to choose between keeping quiet and hurting. Humour does two things no other form does at the same time: it unmasks the thing and it keeps the bond. It isn’t a watered-down version of the truth, it’s the same truth in the only form that stands a chance of being heard.

How to practise

Once a day, on something tiny: the neighbour, the queue, the meeting. You practise on the small things so you’re ready for the big ones.

Remember

The question is never what to say, it’s what for — and in what tone.

You may be wondering

And what if I’m not funny?

Then say it short and simple, with no dig. The second condition isn’t compulsory; the first one is.

He’ll take it badly anyway.

Maybe. What you control is the form and the intention. The rest is up to him, and it’s no reason to keep quiet.

Where do I put the stuff that serves no purpose?

In the funny diary, guide 09. That’s what it’s for: it gets it out, it makes you laugh, and it breaks nothing.

Watch the hummingbirds

Watching the hummingbirds means changing your point of view.
Seeing things from every angle.
Accepting every part of ourselves. And of other people.
And laughing about it.

A hummingbird has every colour. So do we. Our shadows and our light.
You take one step to the side: green turns pink. Then gold.
Nothing has moved, except you.

What a practical guide is for

Trying out a tool.
Changing your point of view.
Laughing at something that weighed on you this morning.

What it isn’t

It isn’t therapy.
It isn’t a diagnosis.
It isn’t a courtroom: nobody’s looking for a culprit.
It isn’t a rulebook for good behaviour. You do what you like.

What it’s for

Accepting that we’re human. And fallible.
Our shadows. Our light.
Taking the drama out, to melt the resistance.
Not judging ourselves. Not judging others.
Laughing about it. It works better, and it’s more fun.

Nobody gets judged here. Least of all you.
We don’t know anything you don’t. We just wrote some tools.

Where these guides come from

Nobody made them up. They came out of a novel, chapter by chapter — in the order I learnt them. Not in logical order: in the order life threw them at me.

What you get, end to end:
Not getting stuck in the middle.
Not having to prove your worth.
Understanding the other person without carrying what’s theirs.
Spotting what keeps repeating.
Setting the limit, and holding it.
Naming the manoeuvre, which is enough to defuse it.
Getting out when the judges are also the accusers.
Listening to the body, which answers before we do.
Sorting out what we keep.
And finally: choosing where we’re heading.

I only saw the logic afterwards, reading it back. That’s why it holds: nobody drew it up in advance.

If something feels too big for you, see a professional. A guide is a tool, not a doctor.